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Subhāṣitas · v.19
न कवित्वे गुरुत्वं न गुरुत्वे कवित्वम् । गुरुत्वं कवित्वं च यत्र यत्रास्ति तत्र तत्र ।

Na kavitve gurutvaṃ na gurutve kavittvam | gurutvaṃ kavittvaṃ ca yatra yatrāsti tatra tatra |

There is no precedence of poetry over gravity, nor gravity over poetry; wherever either is present, it is concomitant with the other.

Structure

Padaccheda — word separation

Na kavitve gurutvam na gurutve kavitvam gurutvam kavitvam ca yatra yatra asti tatra tatra

Anvaya — prose reordering

Na (not) kavitve (in poetry) gurutvam (greatness) na (not) gurutve (in greatness) kavitvam (poetry) gurutvam (greatness) ca (and) kavitvam (poetry) yatra (where) yatra (where) asti (is) tatra (there) tatra (there)

Word-by-Word Grammar

WordIASTTypeGrammarMeaning
Nanaindeclinablenot
kavitvekavitvenounlocative · dual · neuterin poetry
gurutvaṃgurutvaṃnounnominative · singular · neutergravity, seriousness
nanaindeclinablenot
gurutvegurutvenounlocative · dual · neuterin gravity, seriousness
kavitvamkavitvamnounnominative · singular · neuterpoetry
gurutvamgurutvamnounnominative · singular · neutergravity, seriousness
kavitvamkavitvamnounnominative · singular · neuterpoetry
cacaindeclinableand
yatrayatraindeclinablewhere
yatrayatraindeclinablewhere
astiastiverb√as · present · thirdis
tatratatraindeclinablethere
tatratatraindeclinablethere

Scholarly Commentary

Advaita Vedānta(Ādi Śaṅkarācārya)

Advaita Vedānta (Ādi Śaṅkarācārya): This verse underscores the non-dual nature of reality, where distinctions between 'poetry' and 'gravity' dissolve. Shankara's commentary on the Brahmasūtras (2.1.14) highlights the ultimate reality as Brahman, beyond all dichotomies. Here, poetry and gravity symbolize the world's dual aspects, yet the verse affirms their interdependence, mirroring the brahman-ātman identity. Shankara would likely interpret this verse as pointing to the illusion of distinctions, inviting the seeker to transcend the phenomenal world and realize the unity of Brahman. The coexistence of poetry and gravity in this verse serves as a metaphor for the inseparable nature of the individual self (ātman) and the ultimate reality (Brahman), guiding the seeker toward self-realization. By embracing this non-dual perspective, one can move beyond the limited distinctions of the world and experience the unity that underlies all existence.

Vaiṣṇava Tradition(Rāmānujācārya / Madhvācārya)

Vaiṣṇava tradition (Rāmānujācārya / Madhvācārya): In the Vaiṣṇava tradition, this verse can be seen as illustrating the relationship between the jīva (individual self) and Īśvara (the Lord). Rāmānujācārya's concept of 'viśiṣṭādvaita' (qualified non-dualism) comes into play, where the distinction between the individual and the Lord is maintained yet interconnected. Poetry may symbolize the creative expression of the jīva, while gravity represents the governing power of Īśvara. The verse suggests that wherever one aspect is present, the other is also implied, much like the inseparable relationship between the individual and the Lord. This interpretation is in line with Rāmānujācārya's commentary on the Brahmasūtras, emphasizing the importance of recognizing the interconnectedness of all beings and the Lord, leading to a deeper understanding of devotion and service. The interplay between poetry and gravity in this verse reflects the dynamic interaction between the individual's free will and the Lord's providence, underscoring the Vaiṣṇava notion of devotion as the path to self-realization and liberation.

Neo-Vedānta(Swami Vivekānanda / S. Rādhākrishnan)

Neo-Vedānta (Swami Vivekānanda / S. Rādhākrishnan): Swami Vivekānanda would likely interpret this verse as highlighting the harmony between the creative and the rational aspects of human nature. In his lecture 'The Ideal of a Universal Religion,' Vivekānanda emphasizes the need to balance the artistic and the scientific, the emotional and the rational. This verse, with its juxtaposition of poetry and gravity, illustrates the interconnectedness of these seemingly disparate elements. The coexistence of poetry and gravity serves as a powerful metaphor for the unity and interdependence of all aspects of human experience, echoing Vivekānanda's call for a universal religion that encompasses all facets of human nature. Similarly, S. Rādhākrishnan, in his work 'Indian Philosophy,' discusses the concept of 'ṣaḍdarśanas' (six philosophical systems), where he highlights the importance of integrating different perspectives to achieve a comprehensive understanding of reality. This verse, with its themes of interconnectedness and non-duality, resonates with Radhakrishnan's emphasis on the need for an integrated and holistic approach to understanding the human condition, applicable to contemporary life's complexities and challenges.

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