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Subhāṣitas · v.302
न कवित्वे च न गवे न लभ्यते हि हेमसादृशं वस्तु

na kavItve ca na gaves ṣa Na labhyate hi hemasādṛśaṁ vastU

Poetic skill is not gained by searching or study; something like gold is not found

Structure

Padaccheda — word separation

na kavitve ca na gaves ṣa na labhyate hi hemasādṛśaṁ vastU

Anvaya — prose reordering

na (not) kavitve (in poetry) ca (and) na (not) gaves ṣa (in searching) na (not) labhyate (is obtained) hi (indeed) hema (gold) sādṛśaṁ (like) vastU (thing)

Word-by-Word Grammar

WordIASTTypeGrammarMeaning
nanaindeclinablenot
kavitvekavitvenounlocative · singular · neuterin poetry
cacaindeclinableand
nanaindeclinablenot
gaves ṣagavēṣanounlocative · singular · masculinein searching
nanaindeclinablenot
labhyatelabhyateverb√labh · laṭ-present · thirdis obtained
hihiindeclinableindeed
hemasādṛśaṁhēmasādṛśaṁadjectivelike gold
vastUvastūnounaccusative · singular · neuterthing

Scholarly Commentary

Advaita Vedānta(Ādi Śaṅkarācārya)

Advaita Vedānta (Ādi Śaṅkarācārya): This verse underscores the idea that true understanding or poetic skill, akin to spiritual realization, is not acquired through external means such as study or search. It resonates with Shankara's non-dual (Advaita) philosophy, where the ultimate reality, Brahman, is not something to be found through effort but is the very essence of the self (Ātman). The comparison to gold (hemasādṛśaṁ vastu) signifies that just as gold, once refined, reveals its true nature, the Self, when freed from the dross of ignorance, reveals its true identity with Brahman. This is in line with Shankara's commentary on the Taittiriya Upanishad, where he discusses the realization of the Self as the ultimate goal, beyond all external pursuits. The verse thus points to the direct, intuitive knowledge of the Self, which is not an object of attainment but the very subject that perceives.

Vaiṣṇava Tradition(Rāmānujācārya / Madhvācārya)

Vaiṣṇava tradition (Rāmānujācārya / Madhvācārya): From a Vaiṣṇava perspective, this verse can be seen as emphasizing the grace of Īśvara (the Lord) in bestowing knowledge or poetic skill. Rāmānujācārya might interpret it as highlighting the importance of bhakti (devotion) as the means to attain such gifts, which are not acquired merely through human effort but are bestowed by the divine grace. The 'gold' in this context could symbolize the precious gift of devotion or spiritual insight that is granted by the Lord to the devotee. Madhvācārya, with his emphasis on the distinction between the Lord and the individual self, might see this verse as underscoring the dependence of the jīva (individual soul) on Īśvara for all accomplishments, including spiritual or poetic ones. Both perspectives emphasize the relationship between the jīva and Īśvara, with the verse suggesting that true achievement lies in recognizing and submitting to this divine dependency.

Neo-Vedānta(Swami Vivekānanda / S. Rādhākrishnan)

Neo-Vedānta (Swami Vivekānanda / S. Rādhākrishnan): This verse can be interpreted in the context of contemporary life as highlighting the limitations of external knowledge and skill acquisition. Swami Vivekānanda, in his lectures, often emphasized the importance of realizing one's inner potential and the role of intuition in guiding human endeavors. He might see this verse as supporting the idea that true creativity, genius, or spiritual growth is not merely a product of education or external search but an unfolding of the inner self. S. Radhakrishnan, in his philosophical writings, often discussed the universal principles underlying all human experiences. He might interpret this verse as pointing to the universal human quest for meaning and the realization that true fulfillment or knowledge is not something external but an inner awakening. Both thinkers connect the verse to the broader human experience, underscoring the importance of looking inward for true understanding and fulfillment.

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