taḥ śataguṇaḥ varṇaḥ śatena prāvṛṇāt paraḥ.
“Then a hundred times more intense color covered Him on all sides.”
Structure
taḥ śataguṇaḥ varṇaḥ śatena prāvṛṇāt paraḥ
paraḥ varṇaḥ śataguṇaḥ taḥ śatena prāvṛṇāt
Word-by-Word Grammar
| Word | IAST | Type | Grammar | Meaning |
|---|---|---|---|---|
| taḥ | taḥ | pronoun | nominative · singular · masculine | that one, he |
| śataguṇaḥ | śataguṇaḥ | compound | karmadhāraya · "śata guṇaḥ" | having a hundred virtues or qualities |
| varṇaḥ | varṇaḥ | noun | nominative · singular · masculine | color, class, or kind |
| śatena | śatena | noun | instrumental · singular · neuter | with a hundred |
| prāvṛṇāt | prāvṛṇāt | verb | √vṛ · preterite · third | covered, overspread |
| parah | paraḥ | indeclinable | — | beyond, yonder, or exceptional |
Scholarly Commentary
Advaita Vedānta (Ādi Śaṅkarācārya): This verse, 'taḥ śataguṇaḥ varṇaḥ śatena prāvṛṇāt paraḥ,' highlights the non-dual nature of reality by emphasizing the all-encompassing and intense color that covers the subject on all sides. According to Shankara's reasoning, as seen in his commentary on the Brahma Sutras, such descriptions point to the limitless and formless nature of Brahman. The 'hundred times more intense color' symbolizes the infinite and unbounded essence of the ultimate reality, which is beyond human comprehension. This verse, in the context of the Mahabharata, underscores the idea that the individual self (ātman) and the universal self (Brahman) are ultimately one, with the intense color representing the indivisible and all-pervading nature of this unified reality. Shankara's commentary on similar passages, like the Taittiriya Upanishad, further reinforces this interpretation, guiding the seeker towards the realization of the non-dual truth.
Vaiṣṇava tradition (Rāmānujācārya / Madhvācārya): The Vaiṣṇava tradition interprets this verse as a manifestation of the divine glory of Īśvara, with the 'hundred times more intense color' signifying the unparalleled splendor of the Lord. Rāmānujācārya, in his commentary on the Bhagavad Gita, emphasizes the personal relationship between the jīva (individual self) and Īśvara (the Lord), where the jīva is drawn into the divine aura of Īśvara, symbolized by the intense color. This verse, for Rāmānuja, underscores the idea of prapatti, or complete surrender to the Lord, where the devotee is enveloped by the divine presence, experiencing a deep sense of unity and dependence on Īśvara. In contrast, Madhvācārya might view this verse as highlighting the distinction between the Lord and the individual self, with the intense color representing the transcendental nature of Īśvara, emphasizing the need for devotion and service to attain proximity to the divine.
Neo-Vedānta (Swami Vivekānanda / S. Rādhākrishnan): This verse can be seen as a metaphor for the profound transformation that occurs within an individual when they experience a deeper level of consciousness or spiritual awareness. Swami Vivekānanda, in his lectures on the Upanishads, often spoke about the importance of realizing one's true nature, which is beyond the limitations of the physical world. The 'hundred times more intense color' can represent the vibrant and expansive nature of this inner realization, which encompasses and transforms the individual's perception of the world. Similarly, S. Radhakrishnan, in his writings on the philosophy of the Upanishads, discussed the concept of the 'cosmic consciousness,' where the individual experiencer becomes one with the universal reality. This verse, in the context of modern life, invites the reader to explore the depths of their own consciousness, to discover the intense and all-encompassing reality that lies within, leading to a more profound understanding of oneself and the universe.